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  May 2006
volume 4 number 2
-table of contents-
 
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  Maureen Alsop
  Michael Baker
  Julia Bemiss
  Jarvis Black
  Jack G. Bowman
  Graham Burchell
  Dana Campbell
  Jonathan Carr
  Holly Day
  Peggy Dobreer
  Francisco Dominguez
  Patricia J. Edwards
  Am?lie Frank
  Ann L. Healey
  T.A. Jennings
  Gene Justice
  Scott C. Kaestner
  Sheema Kalbasi
  Deborah P Kolodji
  Marie Lecrivain
  Mary L. Mazzocco
  Terry McCarty
  Aire Celeste Norell
  Marie Rennard
  Lorraine Sautner
  Nancy Shiffrin
  A. Thiagarajan
  David Thornbrugh
  Kirby Wright
 
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Nancy Shiffrin
May 2006
   

 

bio


art by jake lee cruzen

Nancy Shiffrin PhD is the author of The Holy Letters (poems) and My Jewish Name (essays) both available from Booksurge.com or the author herself.

Through Creative Writing Services she offers writing instruction in the tradition of Anais Nin and helps aspiring writers achieve publication and personal satisfaction. A major theme of her work is cultural diversity in Los Angeles. She has published in the Los Angeles Times, New York Quarterly, Earth's Daughters and numerous other periodicals.
Nancy's website nshiffrin@earthlink.net

   

 

The New Aesthetic

The Crone curled up in the doorway
is gracious when I plead, "Sorry,
I can't spare any change, I just put
my last ten dollars into the hat at a poetry reading."
"That's OK honey," she reassures me,
"the dude probably earned his dough."
She turns her back against the slanting drizzle.
We don't debate the new aesthetic:

The Poet howling his song of self,
describing heavy metal's throb,
Friday nights with Black Sabbath,
his lusty glee as he trumpets despair;
the date who walks ten paces ahead of him
into a party, flirts with better-looking men
spills barbecue sauce all over his fine white shirt.
He explains the difference between a poem and a joke,
does not correct the kid who calls out
"Wordsworth! you know, that guy, the first
to have his complete works posted on the Internet,
"Henry, but not Wadsworth, his sleep poems,
now that's poetry for me."

I think of the editor who rejects my work;
"Not bad," he admonishes, "just not our aesthetic;
read our website more carefully."
Suddenly I sit at my Zada's Passover table
drunk on the harsh rhythms of Hebrew.
I dance the lindy; Elvis belts out "Hound Dog";
There's a symphony of street games;
paddy cake, who stole the cookie, ring-a-levio one-two-three.
My Teacher appears in her mauve dress,
framed by fern and bougainvillea, whispers
"You only owe the world YOUR art."

I kneel beside my sleeping oracle,
inhale her musk along with the rain.
She gathers her blanket with a soft mewling sound.
Whose mother is she, whose daughter, whose child?
I recite the blessing I neglected
in my haste to sign up to read.
Dodi Ani -- Welcome my friend -- Welcome Sabbath Bride --
make the gesture for lighting candles.
I wonder if anyone
can pinpoint the precise moment
when "aesthetic" became a bullshit word.

copyright 2006 Nancy Shiffrin